Fig. 01
Green island kitchen
A deep green island carries the breakfast bar; black stools and slatted oak keep the composition quiet.
Made-to-measure kitchens — islands, integrated appliances and stone worktops, built and installed by our Tbilisi workshop.
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Fig. 01
A deep green island carries the breakfast bar; black stools and slatted oak keep the composition quiet.
Fig. 02
Walnut uppers warm a concrete-grey run, and the black extractor sits flush in the line above the island.
Fig. 03
A narrow black run under veined marble — proof a small kitchen can hold a dark palette.
Fig. 04
Black cabinetry opens into the dining room; the oak table picks up the veneer of the uppers.
Fig. 05
The oven column, built to the millimetre: two ovens, flush fronts, and a shadow gap instead of handles.
Fig. 06
Ornate white fronts with brass details — the workshop's classical register, cut on the same machines.
Fig. 07
A walnut feature wall folds around the island; under-cabinet light keeps the dark palette legible.
Fig. 08
A glazed partition lets the kitchen borrow the living room's light without lending its noise.
Fig. 09
A compact corner solved in sage green — every centimetre of the awkward wall put to work.
Fig. 10
Green fronts against a black-framed glass wall; the two rooms share light and keep their own air.
Fig. 11
Island seating under a veined splashback — the marble answers the deep green of the fronts.
Fig. 12
A lit vitrine breaks the grey run and gives the everyday dishes a place worth looking at.
Fig. 13
An L-shaped run in warm grey, planned around the window instead of against it.
Fig. 14
A tall grey kitchen with the marble carried up to the ceiling line — one material, no seams.
Fig. 15
The island holds the open plan together where the staircase cuts through it.
Fig. 16
The sink run up close: stone, brass, and a drainer routed straight into the worktop.
Fig. 17
Oak and graphite in equal measure — the warm half for living, the dark half for work.
Fig. 18
Open oak shelving runs the wall so the island can stay perfectly empty.
Fig. 19
A full kitchenette folded into one oak wall — closed, it reads as joinery, not appliances.
Fig. 20
The kitchen and the media wall share one veneer, so the open plan reads as a single room.
Fig. 21
Travertine, oak and steel meeting at the worktop — three materials, one shadow line.
Fig. 22
A walnut island under three black pendants; the stone waterfall ends the run.
Fig. 23
The tall walnut column that hides the ovens — grain matched across every front.
Fig. 24
One white run, no handles, no uppers — the most disciplined kitchen the workshop makes.
Fig. 25
White fronts and an oak island — the room's warmth concentrated in the one piece you touch most.
Fig. 26
A white kitchen against a full oak wall; the contrast does the decorating.
Fig. 27
A white and wood corner kitchen, planned so the window stays the brightest thing in the room.